Monday, 3 December 2012

Lucinda rodgers


Lucinda Rodgers is an artist who depicts city scenes using line drawings with the addition of colourings in some cases she uses watercolours and in others she uses a block colour background I chose to look into the work of Lucinda Rodgers as creating forms of buildings interests me.

Lucinda Rodgers work often shows urban environments with lots of colour used such as in the image. I chose this image as it captures her style which connotes lively and atmospheric environments this is shown by the small parts of colours applied the colours also cause a strong contrast with the black lines that act as outlines showing depth. Her work also portrays a concept style which is can be used for architectural and design for film and television purposes, this image belongs to the postmodernism style as it captures different styles of life in an environment which conveys the meaning of the public. It almost fall within the Art Noveau style as it is similar to Theophile Stienlen as it has been heavy illustrative feel as well as the watercolour being similar to the stained glass background. This image can also relate to Experimental Jetset as it plays with modernism in a post-modernistic way.

As Rodgers style carries on throughout the majority of her work only small differences are changed yet they still make a an visual imprint and make it easily visible to see what has changed, such as in this image she has used negative space to her advantage by simply using a plain white background instead of illustrating the sky this can be seen as modernist as there is no reason to illustrate the sky so it could be interpreted as function as she had only set out to illustrate the buildings and ground level rather than focusing on the sky which is form. Once again Rodgers has used a postmodern style similar to the work of Jean Michael Basquit as there are heavy handed marks to show depth as well as showing a sketch like illustration. Unlike the image above colour is used more conservatively as well as using duller colours. As the image doesn’t use full colour and the lines are not all connecting it could be said that the image is possessing styles of a dreamlike state such as the work of Salvidor Dali and Freudian phsycoanalysis.

This image depicts a concept drawing from an architectural point of view showing modernist styled building merging in with older buildings which would eventually turn it into a post modernistic style such as the Sony building with its Chippendale dresser roof.  Unlike the other images this image is using full colour to give the ‘client’ a greater understanding of what the finished project will look like in its pretext using sketched people walking by. This image falls into realism as she is illustrating pre-existing buildings and what is being created.  




Sunday, 2 December 2012

Signs and Cultural Codes

Semiotics - study of sign systems
Meta-language - 'language about language'
Systems of Signification
  • images and objects all have a meaning
  • designers create meanings
  • signifier - the sign itself
  • signified - the concept
  • semiotics define the process of communication
  • signs are automatically understood
  • Systems and Structures
  • often systems can be culturally informed as symbols change in different cultures
  • swastica - hindu "all is well" also recognized as the nazi symbol
  • meaning of sign depends on what context it was read in
What do colours signify?
Blue
  • connotation - Nuetral , calm
  • denotation - Blue
Green
  • connotation - Organic, eco-friendly
  • denotation - Green
Rhetoric
  • rhetorical questions are asked to make points
  • describing documentary photography
  • used in graphic design
Don mcCullin
Shell-shocked US marine, Vietnam, 1968
  • negative side to war
  • solider appears scared
  • fear is communicated
  • emotion of the individual
A homeless man lying by the embers of a fire in Spitalfields market, London, 1969
  • negative image
Roland Barthes
  • wrote about semiotics
  • concise semiotics analysis
Coca Cola Advert
  • signifiers are hearts, cherub, bottle, composition and text
Heart
  • connotes - love and happiness
  • denotes - heart shape
Angel
  • connotes- heaven
Bottle
  • connotes - coca cola's shape of bottle
  • denotes - bottle
Composition
  • connotes - pours out of coca cola
Slogan
  • connotes - original phrase 'live on the bright side of life'
Silk Cut
  • signifiers are silk fabric and the cut
  • silk connotes - luxury, femininity
  • colour also feminine
Marlboro
  • signifier - cowboy - masculinity
  • posture - relaxed
Celtic Pattern
  • pattern connotes the celts
  • cultural knowledge helps us read it
Ai Weiwie - "Finger" - 1999
  • signifiers - white house / finger
  • white house connotes USA/power
  • finger - connotes cursing






History of Graphic Design from 1890s to Present Day


History of Graphic Design
tracing different styles  of how graphic design changes in the world through postmodernism and modernist movements
Recap Modernism / Postmodernism
Modernism:
  • function over form
  • mass production
  • science and advancement
  • 1900-1970s
  • progress
Postmodernism:
  • scepticism
  • individuality
Victorian soap advert mid 19th
  • typical type style as seen all over at the time
  • serifs used
  • illustration
Art Nouveau
Theophile Steinlen
  • cabaret poster
  • lithograph
  • illustrative
  • moving into modernist style
Alphonse Mucha - 1890s
  • embodies art nouveau
  • lithographic poster
  • bold outlines
  • mix of styles
  • patterning
  • depth
Russian Constructivsm
El Lissitzky - 'Beat the Whites with the Red Wedge' - 1917
  • modernist
  • communist
  • shape based
  • typographic
  • minimal 
Rodchenko
  • related to the people
  • collage
  • primary colours
  • layout
  • type
Gustav Klutsis - 'Workers, Everyone must vote in the Election of Soviets!' - 1930s
  • typography is on a angle
  • swiss style layout
Bauhaus
Joost Schmidt - Poster for Bauhaus Exhibition poster - 1923
  • modernist
  • similar to constuctivism with use of basic form
Art Deco
Am Cassannre - 'L'Atlantique' - 1920s
  • symmetrical type style
  • class
  • type represents power
1950s Advertising
  • large body copy
  • illustrative
  • not modernist
Swiss/International Style - Pinnacle of Modernism
Armin Hoffman
  • bold
  • strictly type
  • Postmodern graphic designers
Neville Brody - 1995
  • individual typeface
  • not functional
  • grid layout
Stefan Sagmiester - 1990s
  • type taken out of usual context
  • both fine art and graphics
  • opposing to modernist views
David Carson
  • developed grunge typography
  • rough
  • type is more human
Experimental Jestset
  • play with modern styles in a post modern way
  • blend postmodern and modern into one












Postmodernism

Modernism and Post-modernism - phases that refer to a specif time period
Recap Modernism - occurred after the industrial revolution
  • more concerned about science than religion 
  • progress in technology
  • function over form
  • Postmodernism and Multiculturalism
  • postmodernism was suspicious of what the modernism believed such as the eta-narratives.
  • meta-narratives - meta - grand, narrative - explanation
  • postmodernism believes science has not got the answer to everything
  • does not account for the individual
  • embraces contradiction
Postmodernism
  • defies definition so it can break free from the rules
  • critical that there is only a singular meaning
  • embraces post colonialism
  • bricolage - 3D collage
  • focus on ideas and concept
  • eclectic - varied
  • individuals have different experience postmodernism embraces that.
Jean Michel Basquait
  • uneducated
  • graffiti
  • rags to riches
  • politically aware
Jean Michel Basquait - Irony of a Negro Policeman 1981
  • childish style
  • heavy handed marks
  • depicts characters
  • primal colours
  • expressive
  • chaotic 
  • pushes boundaries of fine art
Cindy Sherman - Untitled Film Stills 1980
  • postmodernism - photography used as a art form in its own right
  • artist representing film noir styled images
Frank Gehry work 'Lou Ruvo Centre for Brain Health
  • heavily decorated
  • organic form
  • contains personality
Jamie Ried - 'God Save the Queen' Sex Pistols 1977
  • controversial
  • collaged typography
Neville Brody
  • Pre David Carson
  • use of negative space
  • no grid use
  • personal style
Stefan Sagmeister
  • hand rendered type
  • illustrative style in text




Saturday, 1 December 2012

Modernism and Modernity

The Shock of the New - TV series 1980s studies modern art
  • new machine age
  • industry and dynamism
  • eifel tower - designed by an engineer
  • culture re-inventing itself
  • accelerated rate of change during the period
  • change of how the people saw the world
  • Industrial Revolution - 1750 - 1850(1900)
  • big change in small amount of time
  • steam power
  • advances would lead to other advances and develop endless possibilities
Modernity
  • turn of 20th century
  • development of the cities
  • progression
  • jobs available
  • cities built on industry
  • social change to modernity
  • Modernist artist's wrote a manifesto
  • a statement that show's the intentions
  • established new artistic directions
  • Modernist artwork characteristics
  • shows idea of progression
  • rejected tradition
  • experimental
  • function over form
  • influenced by culture
  • rejected ornament
  • represents the change in the world
Pablo Picasso - 'Les Demoiselles d'Avignon' 1907
first example of modernist artwork
  • Descriptions
  • sharp/ linear/ simplified/ bold
  • playful style
  • breaking tradition
  • amateurish style
  • looks at different angles to portray work
  • mangled body parts
  • depicts prostitutes
  • faces appear different to the style of body almost mask like
  • distorted
De Stijl -Manifesto
  • preferred the public idea than individualism
Piet Mondrian - 'Rhythm of Black Lines' (1942)
  • De Stijl artist 
  • abstract painting
  • no represention
  • experimenting with form, line and colour
Raoul Haussmann - 'ABCD'
  • Dada artwork
  • collage
Vladimir Tatlin - 'Counter Relief'
  • constructivism
  • use of art in communist Russia
  • recycled items used to make sculpture
  • abstract
  • Marianne Brant - Tea infuser (1924)
  • Bauhaus
  • efficient and functional
  • made with metal
Walter Gropius - Bauhaus Dessau (1919)
  • functional
  • glass, steel and concrete rather than stone and brick
  • efficiency
  • no additional detail
  • transparency
Jan Tschichold - designed classic penguin book covers
  • functional layout
  • limited use of colour
  • style of type
  • san serif
Herbert Bayer - catalouge  cover of Bauhaus work
  • boldness
  • no image
  • type is informative
  • type has no personality
Josef Muller Brockmann 1690s
  • the Swiss style
  • helvetica
  • grid structure
  • minimalist
  • functional and aesthetic
Naive Cover

This piece of modernist art shows the attributes of graphic design that was common in the modernist period such as the block colours giving the image an eye catching twist along with the colours giving the image depth as to the whereabouts it is colours on the woman's dress and her surroundings. The text used in this piece is used effectively as it cause contrast with the image and it say's only what it needs to say in a clear and easy to read typeface such as the bottom line of text is easily readable in a font that works with the rest of the image. although this piece has a lot going on the design is rather simple much the same as modernist graphic design.















Contextual awareness

Context
helps us understand factors outside of artwork and what influenced its creation
  • Historical context - what was happening at the time.
  • Other contexts - consider economical, commercial factors and the client
  • Looking at context in artwork helps judge importance in the work. 
Surrealism
  • Occurred between world wars
  • Andre Bretton - founding artist
  • 'Revolutionary' movement
  • Left wing values
  • The unconscious
  • Automatism - automatic drawing and writing
  • The 'uncanny'
Rene Magritte
  • Realist style of painting
  • Subverting reality - feet merging into boots
Man Ray
  • Photogram - Rayograms
  • Objects - create shape
  • Subverting truth
  • Mental cohesion - doesn't all fit together
  • Fantasy vs. reality
Max Ernst
  • Collage - absurd images
Salvidor Dali - Lobster Telephone
  • Use of shape - phone shape and lobster shape is similar
Salvidor Dali - The Persistence of Memory
  • 'Ordinary scene' - calm yet harrowing
  • Barren
  • Melting clock - time
  • Flaccid forms - Dali's fear of impotency
  • Freudian
Where?
  • Dreamlike environment
Why it is surrealist?
  • Elements of unconscious using symbolism
Marcel Duchamp - 'The Fountain' 1917
  • This piece ask's what art actually is?
  • Urinal has changed it's context
  • Challenging tradition
  • Idea opposed to craft
Ready-Made
  • Dadaism before surrealism
Post-modern architecture
  • Modernism - cultural history, from the the 20th century  to 1970's
  • Modernism is function not form
  • Buildings would not use ornamentation and decoration - basic block like structure only small florishes used
  • Relations to pieces of furniture
Experimental Jetset
  • Combines typeface with a post-modernist flare
  • Similar to David Carson
  • Expressive
  • Modernist graphics - message shown through words
  • Post-modernist graphics - communicate through expression
Kitchen Aid

advertisement use's elements of surrealism as objects used are shown out of context such as floating and even possessing attributes that are not common for the appliances that are on show such as the electric mixing bowl that has wings and the cherry floating above the cup cake. This advert use's similar methods as Salvidor Dali's 'The Persistence of Memory' as the background shows a calm scene yet the foreground has more of a hectic style. The image also use’s a similar aspect the one of Freudian psychoanalysis as the objects could represent happiness as they would help in the kitchen this is shown by the happy, vibrant colour selection used in this advertisement. 









Friday, 30 November 2012

What does it mean?

What is the purpose?
Purpose of art?
  • to record and inspire the viewer
  • to be expressive
purpose of graphic design?
  • to visually convey a message using graphic elements
purpose of fashion?
  • to express identity
  • to be worn (functional)
purpose of 3D design?
  • functionality and aesthetically pleasing
  • meet the needs of the audience
(Re)presentation = presenting again
representing:
  • the self - artist
  • people
  • companies and organisations
  • cliques and social aspects
  • ideas and concepts - emotions
Value...
the importance of artwork for:
  • the viewer?
  • the artist / designer?
  • the industry?
  • the traditions of design and whether they are broken or fulfilled
What does it MEAN! 
  • working out the meaning is hard as it requires an opinion which is subjective.
  • consider the historical context of the work - the impact of social change
  • some pieces are purely abstract.
  • artwork is appreciated, even if it is unlike by yourself.
Interpretations
  • story
  • aesthetics
  • history
  • emotional
  • representational
Tracey Emin "My Bed" 
  • Portrait - artists life
  • Showing her secrets
  • 'readymade' style similar to Marcel Duchamp's 'Fountain'
  • Insight into artist's mind
  • Relation to society?
Why it was made?
commenting on mental health in general as well as referring to wider society.

Umberto Boccioni "The City Rises"
  • example of futurist art - technology and movement
  • abstract image - different points of interest merged into one image
  • praising the industrial revolution
  • qualitative content - angry / noisy / active
  • tension in the image 
  • red and yellow colours show energy and fire
David Carson "Hanging At Carmine Street"

David Carson’s piece is revolutionary for a typographical poster as it does not stick by the rules you would usually be expecting to see, the piece use’s a minimalistic approach on colours which are a rather solemn mixture of grey and black this also relates to the images within the piece as they are black and white photographs. The type face had been placed all around the image some which are upside down and others in different font sizes could be seen as messy but was actually done with precision without the Bauhaus grid system.  This was about to start the ‘Grunge’ movement which appealed to Carson and welcomed individuality.








Describing Art

Subjective / Objective

subjective - influenced by opinion or feelings
  • personal opinion
objective - not influenced by opinions or feelings
  • based upon facts
  • avoid saying; in my opinion... or i think...
Formal elements
  • line
  • tone
  • texture
  • shape 
  • pattern
  • form / composition
Describe the shape
  • square: geometric / outline / hollow
  • blob: natural / organic / irregular / uneven
Visual content
  • this is what is depicted from the image 
  • formal elements create visual content
  • typography is also visual content
'The Old Guitarist' Pablo Picasso
  • Tones - dark and dull with contrast is places
  • Composition - the main focal point of the image is the guitarist.
  • Visual Content - frail, ill, poor as he has no clothing in this image.

  • Qualitative - sorrow / despair- because of his expression and how his body is somewhat dis coloured and tense.
Suzanne Mooney magazine review
  • Written based upon facts
  • Very descriptive
Kandinsky’s 60th
Kandinsky’s birthday invitation was created by Bauhaus. The colour scheme in this image shows the information on the invitation in a minimalist style using a little amount of text as well as showing it in basic colours black and red this causes a contrast and displays the information in an obvious way. The positioning of the information being shown at an angle is another characteristic of the work of Bauhaus. The angle that the information is shown, works alongside the blocks colour as they create partitions between the information. The type size varies from the relevance of the information such as ‘KANDINSKY’ is shown in a larger font than other pieces of information.







Contextual studies year 2

Logos and posters

what should be considered in a logo and poster:
  • what the poster has been created for?
  • what the poster is communicating?
  • who the target audience is?
  • how it engages the audience?
Amnesty logo
  • Barbed wire - shows protection as well as control and oppression in a aggressive style.
  • Typography - the type face used is simple yet effective as it had been written in a bold recognizable font.
  • Legible - as this logo is very bold the text works well alongside it, this creates a strong contrast between the image and text making it legible.
  • Candle - represents human life.
  • Ubiquitous - appearing and found all over.
Shelter logo
  • Image as type - his made to look like a roof on a house.
  • Legible text - the text is only altered slightly which maintains the legibility.
  • Logo - both image and text are married into one image.
  • Colour - the red can be seen to represent anger but in this case i believe it is used to show compassion and love.
Amnesty poster
  • Clear and simple - hands inside hand.
  • Reaching up shows the message of hope.
  • Out stretched arms - suggests the feeling of giving help and aid.
  • Interesting layout takes advantage of the negative space on the poster.
WWF poster
  • Headline - dark humor that works alongside the image
  • Strap-line - use of a provocative statement that is personal to the audience. 
  • Metaphor - the use of an analogy.
  • Message - requires a second look and thought to be put in to it.
Amnesty billboard  
  • The billboard is made look like it has been placed with another advert to show a gritty message but still work together.
  • Contrast - there is a lot of style difference between the two designs as one is in black and white and the other in bright colours.
  • Lower image - striped down to reality.
  • Colour - draws the eye to the to image then down to the second image below.









Thursday, 26 January 2012

Realism

Reasearch

Realism kept things real ignoring decadence unlike other artists of the time realism kept things modest an artist named Courbet was drawn to work of other artist and said "you should paint the truth" this is what realism was about looking at the common people no more painting the rich and showing them as god like people Courbet was more interested in not nice images but real images that portrayed the reality of his surroundings. A famous realist Manet was one of the most famous of the realist's because he had his own personal wealth he did not have to paint for money but paint what he wanted this gave him freedom and the money helped him do so manet went against everything people were used to as he recreated the painting called Venus but in a very scandalous way changing idealism into realism he named it Olympia. Impressionism saw an influx in Japanese culture such a as Van Goth with Hiroshige this was then called japanism which was used colour form and compositions this was not thought as art by the public until later on in the century. This was bought back by contempry artist such as Jeff wall a gust of wind which is based on Japanism where he held a mirror up to society.

Jeff Wall

Jeff walls photograph of a sudden gust of wind shows the language of art in his photograph by capturing moments that could mean something in this photograph it is showing a recreation of a japenese wod carving. Jeff wall is Canadian who sells his pieces of work for great amounts of money. Some of the skills he uses in his work is depth of field as the focus of the image is close to the lens but the photograph looks out of the water onto buildings as well as bokeh to focus on the flying papers, Jeff wall also uses the rule of thirds as the people are stood in the intersections . This image is also made up of lots of smaller image as his usually exhibits his work at a large scale, each part of the image is taken with a 8x10 camera.


Neo Classical

How to spot

removed elements of brush strokes  this make images more direct

Strong lines

Use of colours colour is used as symbols

Reasearch

Neo classical art has been used as a form of propaganda and to get the people motived examples of these are from louis david who changed the corse for french revolution twice and for more contempry artist such as taki 183 who gave the people of new york a voice by using political messages in a subtle way unlike artist such as banksy. Neo classicism emphasised the image and message using allegory examples of allegory are animal farm which is about facism, phillip pullman which is about the church and the matrix film which is about the bible.

Taki 183


Taki 183 was a Greek born graffiti artist who proved that the people were unhappy and publically spoke out using his tag, which is where his ‘artistic name’ name came from. Taki 183’s work was an early form of graffiti before the likes of Basquiat and other famous graffiti styled artists. Taki was tracked down after his compulsive habit of tagging more dangerous places such as a secret service car and because the New York Times had shown an interest in him and published an article on how he had given inspiration to other people. As Taki over time his work gained more reason as he began to tag place’s which were special to him and showed memories, his work had also changed throughout time from the simple tag it had blossomed into colour filled murals and art forms.  His work only stated to contain a political and social angst when the council started removing his art work and fine art had begun to try taking control of the public’s interest that is why Taki had to make his work more appealing to all. Taki has now settled down and has a family and ‘Taki 183’ is now silent.


Gothic Art

How to spot

Flat  little or no perspective

Ornate guilding

Stillness lack of movement in the image

Religous sinister depictions of hell

Votive showing themselves in the image

Subject often very gruesome showing death

Research

Gothic art show's very dark scences such as death, hell and other gruesome images and was shown on all sort's of ways such as on stained glass in masonry work such as gargoyles and achritectural suports such as flying butress's  and on canvas there are many places you can see examples of gothic art one of the places i have visited is roslyn chapel where you can see them all together is grand elaborate examples. Gothic art has been recreated alot of times such as in the 19th centrury and even with contempory artist's such as Tim Burton the gothic period was during the 12th - 16th century. Gothic art is also well known for not using much depth and persective and often gave instruction's saying what you should do and what you shouldn't as most people were illiterate.

Tim Burton

Tim Burton’s work shows the gothic style by using little perspective as the face of the concept image of Edward scissor hands has some noticeable depth also the face is very similar to Tim Burton himself which suggests votive is used. In the drawing of Edward scissor hands there is no movement and his hands are by his side’s and with all the scars and the dark clothing the subject is gruesome which is one of the most occurring theme in gothic style. Most of Tim burton’s films use very dark scenes with even darker characters such as Sweeny Todd and most of the settings are based on old gothic styled buildings such as the two cities in ‘Corpse Bride’. Tim Burton is reviving the gothic period in his work like many others before him. Vincent Price an actor and then he began to leave marks on the film industry and he inspired Tim Burton. Tim burton was fond of Vincent Prices work and later dedicated a 6 minute animated tribute for him.







How Tim Burton has been inspired by gothic art.



Tim Burton is a gothic artist who and a film director creating dark story’s and recreating classic films with his own spin such as ‘Sweeny Todd the demon barber of Fleet Street’ and ‘Nightmare before Christmas’ . This essay will show how Tim Burton has drawn inspiration from gothic art is his designs from the architecture of his sets to his characters which and draws as concept pieces than captures in his films. I will be looking at what it was about gothic art which has appealed to him so much and how he has recreated the gothic style with his own interpretation. A film director named Vince Pierce had a big role to play in Burton’s life as he had captured Burton’s imagination in his early films. Tim Burton is now very well known for his films as he has created over nineteen films and won eleven Oscars and been nominated for twenty eight within the last two decades. In this article I aim to draw similarities between Tim Burton and gothic art including stone masonry and architecture.

Tim Burton started drawing cartoons when he was a teenager and followed his talent and attended California’s institute of arts studying animation after being given a scholarship by Disney films. Tim Burton later went on to working for Disney on what he saw as mainstream films such as ‘The Fox and the Hound’ in 1981 eventually Disney gave Tim Burton a sense of freedom and he created a short film which was a homage to his idol Vincent Price. He then moved on bigger and better such as beetle juice which was a huge hit and had given him the chance directed the batman film (1989). In the films that Tim Burton had directed gothic surroundings became more apparent especially with his animated films for example ‘Nightmare before Christmas’ and ‘Corpse Bride’ and then in his films like ‘Sweeney Todd’ he created gothic set designs and used characters are that were usually friendly and optimistic but with hidden sadistic mind set which contrasts with their bleak surroundings but also compliments himself with the way he dresses and what he is fascinated by.

Tim Burton’s ‘Corpse Bride’ film captures snippets of gothic art such as the image on the right although this model was made recently and digitally rendered it is very similar to the tomb of Ralph Green and his wife Katharine because of the way Emily (Corpse Bride) maintains an elegant posture what is similar to    way Katharine is laid out in statue form on the tomb. The film also use’s gothic inspiration in the way the cities are set out with the building that lean over you, the large stained glass windows and the towers and steeples all made out of dark wood which makes the set feel more disturbing and gothic this really helps the film have a time and place and there are two cities in this film and both the buildings styles are very similar but the underworld one is just a bit more abstract which Tim Burton tends to do and blow things into a crazy fantasy. In this film Tim Burton use’s words in both dialogue and songs with quite a harrowing nature but because of the style of music it makes it gothic yet enticing.

In one of his more recent films ‘Sweeney Todd’ he tells a tale of a what seems to be a normal guy until his wife is stolen from him and then cast aside by the man who took her so Sweeny Todd is a prime example of a gothic character how he is something what is seen as beautiful then manipulated into a man with a vengeance and he begins to go a bit crazy by killing men you come into his barbers shop then making them into pies with the help of his crazed lover Mrs Lovett who owns the pie shop below. The film show’s Todd as one of the best barbers in London but his surrounding are still very bleak this keeps the gothic style by using very dull colours but with exceptions like on the image to the right this image also shows how he is very laid back but can easily change mood’s similar to a Dr jackal and Mr Hyde scenario. The film also fits the concept of a gothic era with all the death in the film and the plot twist’s filled with deceit, lies and lots of murder, murder is a very important to the gothic era as you see reminders of it everywhere in gothic art and architecture such as when I went to Roslyn chapel and there are two face’s carved into the chapel walls one of the stone mason and one of the apprentice which is shown because the apprentice created a column which was seen as a masterpiece and the stone mason killed him due to jealousy. The film was shot with very low lighting so you get a sense of the unknown, evil and corruption.

Tim Burton’s work in ‘Edward scissor hands’ shows the gothic style by using little perspective as the face of the concept image of Edward scissor hands has some noticeable depth also the face is very similar to Tim Burton himself which suggests votive is used. In the drawing of Edward scissor hands there is no movement and his hands are by his side’s and with all the scars and the dark clothing the subject is gruesome which is one of the most occurring theme in gothic style. Once again Tim Burton has created a character which is surrounded by metaphorical evil even though he is in a colourful neighbourhood this shows how even though he appears the evil character it is the people who surround him such as the neighbours because they intimidate him and make him feel uncomfortable towards the end of the film Edward Scissor Hands is made look like a villain and people begin to turn against him. Tim burton also use’s contrast between the houses he lives in with all its gothic styled gargoyles and statues on the staircase and the colourful paint of the small suburban new builds.

Over all I believe that Tim Burton has been inspired by the work of gothic artist’s just as much as the work of the horror film directors which he idolized as a young adult which I think has helped him make his films some of the best horror/ musical/ black comedy films mainly because of his inspirations and his wide imagination I also believe that Tim Burton has sometimes made his films appear gothic without having the full intention of making them appear so dark and sinister, he also maintains to use actor he has worked with before as he feel a bond with them because they also have similar mind sets to him such as Johnny Depp and Helen Bonhem Carter.